The study of Japanese Jiu Jitsu as a reality based martial art. Discussions on combat effectiveness, training, warrior mindset,and the state of martial arts in today's world.
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Sunday, December 29, 2013
Happy Holidays
I just wanted to say Happy Holidays to all of you out there. An awful lot of stuff has been going on in my life (hence the lack of posts) but here's wishing you all a wonderful and healthy 2014!
Thursday, October 10, 2013
Teaching Styles - Which is Best? Part II
In Part I, I talked about an experience I had with a 'sub-par' instructor. I was reflecting on different teaching styles. Here's a few styles I've encountered over the years.
So, first broad teaching style could be
called:
Militaristic/Hard-core
Characteristics:
-
Student interaction minimal
-
Instructor lead/driven
-
Strict rules
-
Highly regulated
-
Punitive for rules/etiquette
violation
-
Variation/discussion limited
-
Reflection on learning minimal
Different stokes for different folks, of
course. The training partner who made
the observation later mentioned that if that was what he experienced years ago,
he would have quickly quit the martial arts.
His opinion was that he didn’t sign up for people to yell at him and for
nothing to every be good enough.
On the other end of the spectrum is the:
Totally
relaxed/ Laisser-faire
Characteristics:
-
Student interaction high
-
Student driven
-
Few of no rules
-
Unstructured
-
Non-punitive
-
Lots of discussion and
reflection
Some people are drawn to this type of
atmosphere as well. Very relaxed and
non-threatening. Sessions tend to have
little structure, and tend to drift topics and techniques at random, driven
largely by the attendees. Kind of like a
bunch of people hanging out to do martial arts.
Often there is a lot of “what do you want to do” type stuff. The role of the teacher is much less in this
type of environment. They’re just ‘one
of the boys’ (or girls).
And in the middle, you find:
Blended
Characteristics:
-
Student interaction present to
a degree
-
Instructor lead/Student
influenced
-
Rules adopted by students
-
Occasionally punitive measures
for rules/etiquette errors
-
Reflection and discussion
instructor initiated and lead
There are varying degrees of the Blended category, some closer to one
end than the other.
Just as there are different people and
learning styles, there should be different styles of teaching. It’s a constant progress of adjustment and
adaptation, just like the arts themselves.
I won’t necessarily berate any one style
but the overly hard, militaristic style can tend to automatically discourage
a large amount of people from continuing or signing up. I know more than one person who tried martial
arts when they were younger and quit due to this style of instruction, often
leaving a negative view of the martial arts for life.
Having said that, many people respond to
this type of environment. I believe
they’ll come out fit, sharp, one dimensional martial artists. Very good at one
way of doing things.
On the overly relaxed side, I’ve training
with some clubs like this. More
accurately, the head instructor ran and great class, but his senior black belts
lead classes a couple of times a week.
When this happened, there was a lot of standing around, kind of working
on this or that and the time dragged.
Friends clumped together and worked in their own little groups. I don’t respond to this extreme either.
For some, however, it is a completely
non-threatening environment. And some
might never experience the arts without it.
If it’s a positive introduction, perhaps they will continue. We’re all wired differently.
Somewhere in the middle is where most long
term martial artists end up.
Productive training should be student
influenced, but instructor lead and driven.
The degree will be influenced by the number, age, maturity and level of
the students, and by the beliefs and style of the teacher. This is the balancing act needed to be a good
teacher.
There must be some reflection on learning
and students must be able to ask some questions. That doesn’t mean constant ‘what-ifs” but
consistently unanswered questions result in lack of understanding. And if you don’t understand techniques and
the ‘why’ behind them, it’s unlikely you will be able to apply and rely on them
in a real situation. How these Q and A
portions are set up is also up to the teacher.
Are questions welcomed any time, part way through a lesson, at the end,
etc? This is also up to the teacher,
influenced by the needs of the students.
There must also be some rules and etiquette
present. Ideally, these should be set
out early and adopted by the students without much prompting from the teacher. This way, when there are violations, they are
usually minor, and the ‘violators’ often know they’re in trouble. The punishment is enough to acknowledge the
breach but aren’t doled out with any malice or ill will. Crack a joke and laugh, do some push-ups,
that sort of thing…
A good teacher is able to give his/her
students what they want and what they need.
These aren’t always the same thing, and that is where a talented teacher
comes in. As with everything, it’s about
balance.
As a student, you deserve to find an
environment and a teacher that you respond to.
If your primary goal is self defense, make sure you’re getting
that. If it’s camaraderie and fitness,
get that. You’ll get a bit of all of it
regardless.
Enter your training demanding some things
from it and your teacher, but being aware you may not have a view of the bigger
picture, and many things become clear over time. Bottom line, do you end most classes feeling
you’ve learned or improved somewhat? Do
you leave feeling happy that you went?
Do you want to go back? If you
answer yes most of the time, whatever teaching style must be working for you.
Train well, with balance…
Friday, October 4, 2013
Teaching Styles - Which is Best? Part I
Teaching Styles – Which is Best?
I attended a 4-day training event this
summer. I had the opportunity to train
under a variety of Sensei from a variety of styles. People come from all over to train. It’s always fantastic to have the opportunity
to be exposed to such a high level of skill and differing styles, in the arts,
teaching styles, methodologies and attitudes.
The teachers were as varied as the arts, in
execution and in their own style of direction/instruction.
In a training environment like this, I do
my best to “empty my cup” and absorb all I can.
There will be plenty of time later to dissect, weigh, criticize and
examine. With this type of mindset, you
can open yourself to new or different ways of doing or looking at things. This is always a good thing.
I was struck by just how different the
teaching styles were. I was also struck
by how some people with an extraordinary level of technical skill have
absolutely no teaching ability.
You don’t have to be the best teacher in
the world, but in one session I took part in, the ‘teacher’ was being such a
jackass that I ended up tuning out. I
went through the motions of the session as it would have been rude to walk
away. In fact, I ended up having so
little respect for this ‘teacher’ that if the class had only been people I
knew, I might have walked away, albeit with a bow. I stayed so as not to embarrass my Sensei or
my dojo, or set a poor example for the other participants, many of whom I
didn’t know.
This particular person is quite skilled, so
I was saddened not to be able to take anything away, other than a lesson in how
not to teach, of course.
My main issues were that he was:
1. Arrogant
2. Demeaning
He reminded me of a peacock strutting
around, impossibly impressed with himself (no offence to peacocks by the
way). Everything about him was
condescending and demeaning. He was also
unclear. He would say something that
made very little sense, and then when people faltered, trying to figure out
what was wanted, he would demean everyone.
He acted shocked that we couldn’t even figure out where to stand, what
to do, etc. And he would make sarcastic
statements as well. Then he decided that
no one was allowed to talk during the training.
This meant that we couldn’t speak to our
training partners or ask questions of the teacher and yet he would still flit
around criticizing and insulting the participants.
For me, it hit a point when I couldn’t care
less about his experience in the arts. A
wasted session, sadly.
I noticed though, that other participants
were becoming extremely frustrated with themselves. The clearly thought that they were doing
something wrong. They were mentally
beating themselves up for not ‘getting it’ under the tutelage of such a
‘master’.
It saddened me a bit, but eventually the
session ended and we all moved on.
This experience got me thinking about
different teaching styles. I was
reminded of a conversation I had with a training partner who commented how
another session was run in a militaristic fashion. Warm up, strikes, kicks, blocks, right in to
drills were all carried out with the teachers and assistants yelling and
barking orders. Now I’ve seen this style
and don’t have a problem with it per say, but I don’t find it overly conducive
to learning. The students from the style
represented were fit and their movements were sharp. Working with them on technique, however,
revealed that they struggled to adapt to any variation that occurred. If it was ‘off-script’ in any way, there was
hesitation or confusion.
Clearly, not a lot of question-asking goes
on in that school.
In Part II, I'll discuss a few more common teaching styles. Until then, train well.
Friday, September 20, 2013
Injuries in the Martial Arts
Injuries.
The bane of the martial artist.
Most people who stay in the martial arts
for any period of time get injured. Look
around any dojo or martial arts school and invariably, you’ll see the long term
students taped, bandaged, bruised, with ankle or knee or wrist or elbow
wraps. It’s a sad reality. Smart and responsible training goes a long
way in preventing injuries, as does proper warm up drills and stretching
(within reason). Self-control during
application of techniques helps too.
Proper diet and nutrition and lifestyle also play a huge role.
Beyond all that, sometimes shi_!!! happens
and your find yourself hurt. It could be
martial arts related, or it could have happened in some other area of your
life. It sucks.
And it happened to me. I’m (fingers crossed) getting better, but I’d
been dealing with pain for months on end, had trouble sleeping because of it and generally
was feeling miserable. The nature of the
injury has prevented me from training for several months, the longest I’ve not
been able to in many years. A side
effect of getting older, as I’m learning, is that you heal more slowly as the
years go on. This adds to the
frustration of it all.
Life goes on, of course, but I was so
pissed off (I know, not very Zen…) that I just sort of checked out of the
martial arts world for a bit, even neglecting this blog.
Now that my head is getting back in the
game, I’d like to share some lessons learned by dealing with an injury.
1. If it hurts to train, don’t
train.
It may sound trite, but
it’s true. I trained once or twice while
injured, and, careful as I was, made it worse.
There are times you can train with injuries, and times you can’t. Figure out the difference.
2. Take the time you’re injured to
pursue something else that interests you that you normally don’t have time
for. Do something different. I’m convinced it’s good for the soul, can
open up new doors, expand your horizons, that sort of thing.
3. Booze and anti-inflammatories
are great for pain, but will give you acid reflux if you use them for too
long. Oh yeah, and neither is good for
you if used long term or in large amounts…
4. Try not to dwell on your injury
too much. Don’t obsess (like I did) over
not being able to train.
5. Supplementation with quality
fish/omega oils really helps the joints. Do your research. Go for the liquid. Pills and capsules are largely a waste of
time. And you get what you pay for,
within reason. There’s a whole host of
other benefits too.
6. This stuff about mobility
exercises and functional movements and core stability? It works.
You’ll be better off for incorporating some into your routine, in the
dojo, gym or home. Take care of your
joints and they’ll take care of you. In
my case, more mobility work in advance might have reduced the severity of my
injury or prevented it altogether.
We
live in a world of increasing inactivity and repeated unnatural movement
patterns (sitting at work, in the car, hunching over cell phones, tables,
laptops etc). It’s important to do what
you can to reset your body’s natural alignment.
About a third of my workouts now (outside of
martial arts) are mobility movements and stability movements. I wish I had bought into this stuff a decade
ago. Maybe I wouldn’t grunt each time I
get up…
Those are a few of the things I’ve learned
from this process.
How about you? Any other tips for dealing with injuries?
Thursday, August 22, 2013
Titles in the Martial Arts - Good or Bad?
There are a plethora of titles given to various degrees of experience and skills in the martial arts. There are strict and not so strict rules associated to each title. Many require a certain age combined with a set number of years at a black belt dan, or rank. Some refer specifically to a dan ranking, and some are used as an indication of a person’s impact on the martial arts as a whole.
I have nothing against titles. Using certain titles can be a way to show a deep amount of respect for someone’s skill level, their teaching ability and dedication to their students and their art.
I find it curious then, when certain high ranking black belts insist on being called by certain titles. They are offended by anything other than being referred to as 'grandmaster' this or 'high commander' that. It strikes me as an indicator of either arrogance or insecurity.
I believe there should be a degree of proper etiquette in a dojo or training facility. Titles are part of this, and should be used appropriately, but in my opinion, no one should be offended if they are referred to simply as ‘Sensei’.
Translated, ‘Sensei’ most closely means ‘one who has come before’, and usually refers to the status of teacher. In my mind, this is a both a compliment and an indicator of respect. You have, in many ways, given yourself up to them, trusting in them to provide proper instruction and lifesaving knowledge.
There are times I refer to my Sensei by another title, but this is most often done in times of introduction or ceremony. And typically, use of these titles is initiated by the students, or by other instructors, not at the insistence of the 'title-holder'.
Again, there are times when certain titles should be used, but I would have to question anyone who was offended if I referred to them as ‘Sensei’ during training.
Sadly, I have seen one such “grandmaster” refuse to acknowledge a very new student during his visit to another dojo because the young lad didn’t know his 'exalted' status and referred to him as Sensei on the mats. What was sad is that he completely ignored the young man who was (innocently) asking a question.
Looking back, it is more comical really, conjuring up an image of a “master” covering their ears and saying “I can’t hear you, na na na na na” with a bewildered young many having no idea what was going on. That would make a cute cartoon…
There are ways to correct a misstep of protocol or etiquette, but you can’t force respect on someone. If you need to be called a certain title in order to feel validation, perhaps you need more work in the area of ego.
For me, calling someone Sensei will always be a sign of true respect.